My career plan- who do I want to be when I graduate (Section 2)

I. What kind of journalist do I want to be? 

I would prefer to be a freelance writer and write about the things I like rather than be under the control of a boss. What is more, I really cannot imagine myself like a reporter, who goes out and gets the stories. I would fit more as a magazine editor, because I am good at making stories shine in a new way. That does not mean that I will not meet people and create my own articles; I just want to have the option to choose who these people will be. I do not mind interacting with people from all walks of lives: from ordinary people to celebrities and experts, depending on the topic I am writing about. However, most of the time I would prefer to stay in my well-equipped chaotic office, filled with books, newspapers, magazines and expensive paintings on the wall. There I will be with my own thoughts, as working with other people at the same room could damage my concentration and inspiration.

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I want to work in the entertainment sphere, because there is too much seriousness in the world, which I cannot fix, but maybe make sure that people have fun despite this.  Meanwhile, I could have another profession, either being a tutor at university or a motivational speaker in Mindvalley or TED. I have the ability to motivate, explain things simply and clearly and it makes me feel happy when I help others find their own path to success.

II. In which type of journalist do I fit? Using Matt Thompson’s Four Types of Journalists, I would say that I belong to two categories: The Provocateur and The Storyteller. It usually happens to me to discover something new in what is already known, or to present it in an innovative way, to refresh what the public thinks of it. I do not aim at finding scoops, but looking at something through a different angle. I like to take my time and examine things carefully before publishing something. The same thing applies to when I tell others’ stories. I get really inspired when I have intellectual discussions with various individuals, but then I need to be on my own to produce a masterpiece. I believe that the more people you meet, the more chances you have to find an extraordinary talent in them and expose it to your audience, when given the consent to do so. Read more about as which types of journalists I define myself with and another journalist who inspires me- Karbovski, HERE.

‘We need much more critical reading’, says Felix Salmon in ‘Teaching journalists to read’

Felix Salmon’s piece of writing provides some good food for thought. My first reaction when reading the headline was, ‘Can’t journalists read properly, or is there something more than meets their eye?’ . It turns out, Felix has the ability to witness the biggest problems concerning journalism:

  1. He believes that what is missing in the journalistic establishment is people who are good at finding and curating great material.

The main focus on Salmon’s speech during The Audit’s breakfast, is that the journalistic entities- newspapers, magazines, websites, have to start putting much more emphasis on reading. The reason why he emphasizes on this was because journalism is becoming much more conversational.

Think about it this way: reading is to writing as listening is to talking — and someone who talks without listening is both a boor and a bore. If you can’t read, I don’t want you in my newsroom. Because you aren’t taking part in the conversation which is all around you.

2. According to Dean Starkman, journalists who no longer work for old-fashioned media cannot be called ‘journalists’ , while Salmon thinks quite the opposite, and here lies the second issue- between old-fashioned and contemporary media.

Both of them produce material worth reading. The difference between ‘now’ and ‘those halcyon days’ is that today we have got more high-grade journalism available to the public than ever before.

3. And last, but not least, it is not about the shortage of journalists, but that of critical readers, who absorb the information, without misinterpreting it.

What makes one person a good journalist is his ability to read between the lines, to engulf fully in a situation until all points of view are considered. Everyone can be a publisher on Twitter or Facebook, but not everyone can create a content worthy of notice.

Teaching Journalists to Read

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